Monthly Archive for July, 2010

The Value of a Muse

The Value of the Muse

muse: Classical Mythology, -n a goddess that inspires a creative artist.

A model shows up on time and well prepared for a shoot.  A good model takes direction and looks like a natural in front of the camera.  An excellent model makes any photographer they work with appear even better than they actually are.

Then there is the muse.  The muse is the rarest of all models.  They are all of the above but they somehow inspire the photographer to search for reasons to pick up the camera, any reason at all.  They participate in the shoot unlike anyone else and share the passion for creating something new and interesting.  This passion is contagious.  Enough passion can change almost anything in the world, including your photography.

I have LOVED shooting with dozens of models, I’ve really, really loved shooting a smaller group of ten or so models and I can count the number of muses and potential muses I’ve stumbled upon over the past ten years on one hand.  Here are just three of them… though a couple more are unlisted.  :-)

First there was Katherine.

I do, and will always, credit Katherine as the main reason I eventually became good at photography.  Her bubbly quirky personality was and is magnetic to be around. If she was born 4,000 years ago wars would have been fought over her.  Immediately after shooting her I’d want to shoot her again, and again, and again.  This was in the day before digital cameras and it was much more expensive to shoot but I didn’t care.  We had a lot of good times me and her and she always inspired me to take better photos.  I still get to shoot her every few months or so today but is getting less and less as she gets busier and busier, though she will always be my very first muse.

Mara sent me an email at the very tail end of 2004.

She attached a couple snapshots of herself and said she was interested in modeling. I was immediately inspired by the amazingly rounded structure in her face, it had a very rare chiseled quality that I couldn’t possibly describe with mere words.  I was only able to shoot her for a year or two before she moved away to L.A. but in that short amount of time I became addicted… I wish she’d visit Utah again!

Carly and I had our first shoot in July 2007, just before her 18th birthday.

I knew Carly would be amazing almost immediately.  That rare combination of a fear-nothing personality to a bewitching shyness the contradictions in Carly are endless, which shows in the way she models.  She fluidly moves from pose to pose, constantly shifting between whacky and serious.  She’s amazingly fun to shoot and is the reason for this post…

The Value of a Muse

To celebrate our three year anniversary of our very first shoot Carly convinced me we should do a classic shoot from the food series I worked on a couple years ago, a series Carly helped me with many, many times!

As she’ll tell you I was very skeptical, I shot so many images during that little phase that I thought it would be impossible to think of ideas that I hadn’t already done, but it was Carly and when she gets something in her head…

So there we were at the grocery store shopping for food, we got a number of items before meeting up with Steven Robertson (who volunteered to do some styling)… it was after the shoot I realized something… the food series from a couple years ago was full of quirky ideas but it felt like just a warm-up, now I had to really make a series out of it.

This one suggestion from one model not only sparked an amazing shoot that night, but I have since shot three more girls for a new series based around food… which is blowing my mind!

8/9/10 EDIT :: Images from this series will be available in the November 2010 issue of 944 Magazine.

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4 Hours | One Girl | One Stylist

The beautiful Alexa was lucky enough to receive a stellar 16th birthday present from her parents, a four hour photo-session with on-set professional styling.  So how much can we accomplish in just over 4 short hours? Here is your answer.

Hair & Makeup by Steven Robertson

Equipment used to achieve these images

Links take you to B&H (the premiere online photo store) where you can view more details about each of these products, or purchase them.

To book your own personal photo session visit

http://www.jakegarn.com/booking (this particular session was a Long Shoot under the Model Portfolio section)

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Inspiration vs. Mimicking

Is imitation the sincerest form of flattery?

Yes.

Sometimes it’s annoying to see someone post work showing off their skills when clearly they’re making a full fledged effort to mimic somebody else, but the fact of the matter is we are all doing it.

That doesn’t mean we’re all consciously trying to be like someone else but every artist in the history of time tries to relate their art to the world around them, the only difference between good art and bad art is how successfully the artist hides it.

For instance, when I take a photo that is an original idea, say a model shooting herself in the head with Silly String.  A great idea and one I never, ever saw shot before.  An original idea… at least I think it is… that being said I won’t be surprised when someone links me to a photo very similar to it (but I haven’t seen one).

The problem is not one single element in this image is a creation of mine.  Silly String was patented in 1972 – five years before I was born, the model is an exquisite creation of God, and the satire of suicide by string is ironic only because of the more serious issue it alludes to.

My only contribution was to combine a bunch of elements (that are not mine) and show them in a new way.  Technically I haven’t actually created anything.

Isn’t that all that art really is?  A reproduction of some form of the life we know?  Can we really claim ownership of that?

Well the answer is a resounding YES!  We can copyright just about any artistic creation but where is the line between new and old?  When does a portrait of another person actually become the artists‘ creation?

Before I had a camera I drew.  That was my artistic release, and when I would draw I’d look towards other images to mimic.  Just as a type of practice.  I made this drawing in high school based on a beautiful photo in National Geographic.  Not my creation but I did bring a new element to it, I changed the medium from a photo to a drawing… what are the ethics of that?  Am I allowed to change someone else’s photo into another medium?

What about this drawing of Bob Marley I did during the boredom I endured at the outbound telemarketing job I had in High School?  Who’s art is it?  Is it the photographer that took the original image?  Is it the drawer?  Is it Bob Marley’s parents for giving birth to him?  The question can get a little blurry… but the fact is I didn’t have permission from the photographer to make a work based on their photo, but does that mean I can’t draw it?  Not at all!

That said the ethics in the art world are pretty well established.  Drawings (and photos) that mimic somebody else’s creation are great for showing off and practicing technique, but you should never put mimicked images/photos/drawings in a professional portfolio (online or printed) and claim sole credit for the creation.  That’s just not cool.  But a personal site or a critique website where you go to learn?  I think most people agree that’s fair game.

If you want to claim credit for work then make sure it’s not just a copy of someone else’s hard work and inspiration.  Take something from the world around you and make it your OWN!  If you really want a drawing to be yours you need to draw something that nobody else created without your help or input!  Or if it is based on something at least bring something original to the table!  It’s a lot harder to draw from real life but it’s a lot more rewarding… take this charcoal drawing I did nearly 10 years ago (not the greatest thing in the world but not half bad for a hobbyist).

My advice to you is to know the phase your work is in… if you are in the mimicking phase then don’t worry!  Everybody starts somewhere, but just realize that maybe you aren’t quite ready to slap that “XXXXX photography” logo on your images just yet.  Save that for when you start producing your own ideas, it’s much more rewarding that way!

PS – I looked quite hard to find the original photograph of the Lady in the Hat and Bob Marley with no luck… if you can find them post a link in the comment section, I’d love to give credit to the original photographers but I drew them about fifteen years ago!

EDIT July 30th, 2010  - It needs to be mentioned that I am not referring to ANY photographer I personally know, I have had multiple guesses from multiple people, “Is this about so-and-so?”  or  ”Is this about me?”  The answer is NO… it’s about nobody specifically!  That said, we can ALL use a bit more uniqueness in our styles, myself included, so in that sense it is about nobody and everybody I know.

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Chameleon Series – Gallery Opening

For Immediate Release:

A solo exhibition from fashion photographer Jake Garn exploring the merging of style and identity in a culture of mass production.  Proceeds from print sales will benefit the Humane Society of Utah.

Opening Reception

July 16th, 2010 | 6-9pm | (a)perture gallery

1617 s. 900 e. | Salt Lake City

801.953.0109 | aperturegallery.org

rsvp info@aperturemktg.com

Food generously donated by Corbin’s Grille | Printing and Framing by Replicolor of Salt Lake City

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Trolley Square | Lighting Diagrams & Video

Behind the Scenes

at Trolley Square Mall

As part of The Hive gallery’s fashion month we did a live shoot at the mall (during open hours) for the public to come watch!  It was tons  of work, tons of fun and we had a great turn out of spectators!  Here is a behind the scenes look with lighting diagrams (click them for a full size view) and video which will give you some real life peeks at how everything was set up!  Enjoy!

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Enlightened Collection – The Story – Part 1

Enlightened Collection – The Story

Part 1

The Story behind the scenes of the Enlightened Collection

We shot these in November, and for those of you that aren’t familiar with the Salt Lake City area in November I’ll spell it out for you, it’s not warm.  Which meant we needed a heated pool or a plane ride out of Utah. The heated pool sounded cheaper.

We planned to travel south to St. George, Utah; an hour-and-a-half north of Vegas, which is close enough to taste yet far enough that you don’t get that Vegas after-taste, in other words a perfect place for this photoshoot.

Coordinating the nearly dozen people required for a shoot like this is hard enough, now try coordinating a 400 mile road trip on top of that.  Yikes!  So some of the details got put off to the last minute, one of those was the state of the pool’s heater, which we found out was broken about 24-hours before travel time.  After finding out that a timely repair wasn’t possible we immediately decided that a high of 54 degrees Fahrenheit in St. George’s November was not nearly warm enough for any kind of un-heated pool activities.  St. George’s November?  Sounds like a Guns N’ Roses song. Hey GnR – loved you in the nineties by the way!

So there we were, no pool and lots of people scheduled for a pretty major project that required a pool (no, you cannot fake water in photoshop realistically – in case you were wondering).  After about an hour of panicked phone calls to everyone that was important to the shoot I realized something… hotels have heated pools and we have lots of hotels in my hometown. So I called the manager of the Layton Comfort Inn to ask him some questions about their indoor pool.  The main question being, “Hey, after you close your pool tonight can I bring a model in there and do a test shoot?”

“Yes,” was his response.  Matt, the manager, and I go way back by the way.

Now I just had to find a model that was available with nearly zero notice at 8:30PM on a Thursday night, a Thursday night dominated by a cold November Rain no less.

If you are not familiar with the process of finding a last minute model let me tell you how it works.  You get your iPhone (which is the most amazing device ever invented, and if you disagree then you probably don’t have one) and start a new text message, then you add between 3 and 7 girls to send the message to.

“Why not text just one girl and wait for her to respond?” you ask?

I’ve become an expert in girl behavior and here is how it works, if a girl is busy they don’t generally actually say so, they just read the text message and keep doing whatever it is they were doing when they got the message – thinking in their brain that they’ll respond later.  Later usually means, “Hey, sorry I missed your text yesterday, what’s up?”

So I text multiple girls and if multiple girls say yes all but one of them is encouraged to “Answer quicker next time!”

Here’s a quirky little secret though, since there is a limit to how many girls I text I usually don’t go too far into my contact list before stopping… if you are smart then you may have noticed where this is going – girls with a first name that starts with a letter that is early in the alphabet tend to get more text messages about last minute shoots.  So, if you are Zooey Deschanel and you’re wondering why I haven’t called lately now you know. Hey Zooey – loved you in Almost Famous by the way!

Christie Iba

Christie is not only absolutely stunning but she is also blessed with a name that starts with C and a text-response rate of less than 2 minutes, which is solidly above average!  Christie had a problem though, “Can I call in you like 5 minutes?” she queried.

Fast forward five minutes. “Ok, I can come, where do you want me to meet?  What should I bring?”

“My house, swimming suit.”

“A swimming suit?”

“Oh ya, we’re going to be shooting in a pool.”  –Editorial note, I don’t like writing long text messages… so generally girls may not know exactlywhat they’ve agreed to!

I pack up my gear just as she arrives and we head over to the hotel, as we pull up to the brightly lit entry way I suddenly hope that none my neighbors drive by and see me pulling up to a hotel at 10PM with a beautiful girl that is not my wife… which leads me to a very funny story about my neighbors…

Unrelated Story about Jake Garn’s Retired Neighbors

Across the street from me is the nicest couple in the history of mankind, they are so nice that if I forget to take my garbage can to the curb on garbage day they actually do it for me.  Seriously nice.

One day, about a year before my wife and I got married my neighbor stopped me at the mailbox and she asked me, “So, I see a lot of cars over here with lots of pretty girls and we were wondering, is the girl with the red car your main girlfriend?”  So I had to explain that Jenny (my now wife) was my only girlfriend, all the other girls are models that I photograph.”

“Ooooohhhh, I see,” she said, “Well my husband is going to be sorry to hear that, he was pretty impressed with you.”

100% true.

Back to Christie Iba

I unload my Elinchrom 600RX Monolight with a Large Photoflex Softbox and put it right to the edge of the pool, as Chrsitie jumped in and got her hair wet… the pool was perfectly warm, the room looked great and this looked like it could work!  The shot?  Well it looked fabulous with the flash falling off perfectly across the water obscuring the other side of the pool into darkness.

I started calling everyone to let them know that our carefully planned road-trip was now a half-hazardly planned all-nighter.  An epic all-nighter.

Stay Tuned for Part II of the story, where we actually shoot!

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